Artists: Niki de Saint Phalle, Philippe Perrot, Loredana Sperini
Venue: Clifton Benevento, New York
Exhibition Title: A Broken Inheritance
Date: June 8 – August 2, 2013
Full gallery of images, press release and link available after the jump.
Images courtesy of Clifton Benevento.
Clifton Benevento is pleased to announce the three-person exhibition A Broken Inheritance, featuring works by Niki de Saint Phalle, Philippe Perrot and Loredana Sperini. A Broken Inheritance explores fissures and fractures through themes of body trauma, familial dysfunction, and fragmented memory.
Niki de Saint Phalle’s iconic Feminist film ‘Daddy’ (1973) blends elements of autobiography with Freudian fantasy, juxtaposing dark scenes of incest with an inversion of power as Saint Phalle’s grown female character ridicules the father figure and ultimately ‘kills’ him by shooting her own painting ‘La Mort du Patriarche’ (1962/72). Saint Phalle narrates the film, providing an eerie voiceover, nearly psychoanalytical in tone. The surreal and haunting imagery in the film, marked by broken toys and bridal dresses, has forever compounded the meaning of the artist’s rich, baroque production.
Loredana Sperini’s beautiful constructions of hybrid figures and disembodied parts are aided in complexity by the natures and histories of the materials used. Her relief works reference the tradition of encaustic painting and feature entwined fingers cast in colorful wax. The artist’s small-scale sculptures are carefully composed of fragments from porcelain figures. Combed from mounds of World War II bombing rubble, and re- distributed through souvenir shops in Berlin, her materials are saddled with human experience. Throughout Sperini’s work fragile and ephemeral components are arranged into hybridized bodies with palpable care.
French figurative painter Philippe Perrot employs antimicrobials in his work as if to suggest the human body is in need of healing. Inspired by a yellow sulfurous powder commonly used to keep pests away, his canvases are primed with a similar acidic looking pigment. Scenes of familial tension, sexuality and death hover in the glow of a urine-tinged cinematic frame, while the application of household antiseptics Betadine and Eosine, used for skin tone, casts a questionable pallor onto his figures. Perrot’s imagery conjures reflection on common societal problems while formally indexing the expressionistic painters of ‘fractured humanity’ in postwar Europe.
Stylistic and conceptual dialogues among the works in A Broken Inheritance prompt an unsettling experience rooted in desire, secrecy, and suppressed memory, both in terms of the personal/psychoanalytic and the collective/socio-political.