August 26th, 2014

“New Habits” at Casco

Body at Work

Artists: Ayreen Anastas and Rene Gabri, Andrea Büttner, Jesko Fezer and Andreas Müller with Maximilian Weydringer, Andrea Fraser, Natascha Sadr Haghighian, Tehching Hsieh, Ienke Kastelein, Sung Hwan Kim and dogr aka David Michael DiGregorio, Annette Krauss, Aimée Zito Lema, Wietske Maas, Christian Nyampeta, Yvonne Rainer

Venue: Casco, Utrecht

Exhibition Title: New Habits

Curated by: Binna Choi

Date: May 1 – July 13, 2014

Click here to view slideshow

Opening Festival

Vita Nova: Andrea Büttner

Habits Between Rules

Full gallery of images, press release and link available after the jump.


Images courtesy of New Habits, Casco – Office for Art, Design and Theory, Utrecht. Install photos by Niels Moolenaar, Event photos by Casco and Mattie van der Worm.

Press Release:

Inaugural exhibition New Habits focuses on practices that transform the way we live, work, think, and act, forming new habits on the basis of an ethos grounded in the commons.

Opening festival: Every Mode of Doing Needs Commons: An Uncommon Festival of the Common(s), 1–3 May,

On 1 May 2014, Casco – Office for Art, Design and Theory opens at its new location in the new the museum quarter of Utrecht, the inaugural exhibition, New Habits, consists of a cross-disciplinary exhibition and a series of activities that unfolds multiple possibilities for altering received habits and forming new ones on the basis of an ethos grounded in the commons. The artists and organizations address the everyday actions such as eating, sleep, work, play, thinking, studying, and how these habits can be altered to enact a new way of living together. New Habits also refers to the institution’s new habitat, new rhythm, and new modes of working, this project exhibition functions as a thought experiment with a broader agenda, asking: Would practicing according to common habits enable an autonomous community, and if so, what would be the habits of a commoning community?

A habit is an everyday expression of unintentionally obtained and individually embodied knowledge. The term “habit” is often loaded with negative connotations; habits are to be broken or unlearned. New Habits proposes that we rethink the notion of the habit as a form of life central to community formation, in negotiation

with the governing rules and laws. New Habits looks for shared, communal habits or forms of life marked by a non-capitalist ethos of commoning, as a necessary counterpoint to direct action and representative politics.

Italian philosopher Giorgio Agamben’s recent analysis of Franciscan practices in calling for a new politics provided a major impetus for New Habits. Under the guiding virtue of “highest poverty”, from their formation in the thirteenth century the Franciscans lived a form of common life that incorporated but defied established rules and norms of the Church.

The exhibition is a collaboration with the participating artists, architects, and a choreographer, and a number of “commoners” within and outside of Utrecht. Against the backdrop of Casco’s new space, built on the site of a former Franciscan sisters convent, the exhibition includes artists like Andrea Büttner that move us to consider practices in religious communities in a new light, while Christian Nyampeta examines what it is to “wear” a “habit” in both literal and symbolic terms. Upon this bedrock of habit formation, the practices shown here outline “new habits” centered on ways of living, working, thinking and acting, or merging self- work with collective work. Ayreen Anastas and Rene Gabri share the “production” of images and thoughts for the commons, almost indistinguishable from the artists’ everyday rhythms of life, while engaging with various initiatives in Utrecht such as Kritische Studenten Utrecht, Feministisch Verzet, and STRO. Andrea Fraser presents us with psychoanalysis as a crucial tool to deconstruct and reconstruct one’s “habitus”, particularly of the art world, whereas Tehching Hsieh challenges us as to the given notion of time and publicness for one’s artistic practice. Documents of Yvonne Rainer’s movements inspire us in coping with conventions imposed on our body and reestablishing our own continuum of time; continuing this strand, the exhibition also offers us a glimpse of private communal exercises organized by Casco three years ago with Sung Hwan Kim and dogr aka David Michael DiGregorio. The key motivation of these exercises was to allow divergent rhythms of life in common, against today’s accelerating pace. Aimée Zito Lema excavates forms of cooperative life among workers in the textile industry. The exhibition also disseminates bioswop, an online-platform to exchange and reassemble people’s CVs, a project initiated by Natascha Sadr Haghighian (

In addition, Casco explores the indistinctive zone between its institutional status and its desire to stimulate alternate ways of life. This zone is materialized in the new multi-functional office space designed by Jesko Fezer and Andreas Müller with Maximilian Weydringer, with an indoor garden composed by Wietske Maas on the basis of plant behaviors. The office also serves as the locus for the team’s cooperation within Annette Krauss’s unlearning sessions, in which we try to deconstruct certain working habits of ours. The new set-up involves engaging with Ienke Kastelein’s artist studio next door, and In De Ruimte—an unusual open and social space in the basement of the building.

New Habits is an aesthetic project as much as a project of ethics and new politics. It attempts to merge art and life once more, but rather than trying to “abandon the art world” (as in the 1960s), the focus is now on articulating and practicing forms (of life) within and against the institution.

New Habits is curated by director Binna Choi, with the contribution of curators Jason Waite and Sanne Oorthuizen. Needless to say its materialization would have been impossible without the rest of the team: Janine Armin, Ester Bartels, Marleen de Kok, Yolande van der Heide, Ying Que, and Suzanne Tiemersma, and the additional support of interns Deborah Sielert, Malcolm Kratz, and Sofie Wierda. The graphic design for the exhibition is by David Bennewith with Virginie Gauthier.

Link: “New Habits” at Casco

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