This page contains 47 images and 0 videos documenting this exhibition. 0 images contain text descriptions.
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Wang Xingwei, Still No A-mark, 1998 Wang Xingwei, Recruit, 1998 Wang Xingwei, Mein Kampf, Wang Xingwei in 1936, 1996 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Material from the archive of Hans van Dijk; Zhang Peili, Art Project No. 2 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Material from the archive of Hans van Dijk Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Ding Yi, Appearance of Crosses 91-B6, 1991 Ding Yi, Appearance of Crosses 92-B20, 1992 Ding Yi, Appearance of Crosses 93-B3, 1993 Ding Yi, Appearance of Crosses 94-B19, 1994 Ding Yi, Appearance of Crosses 93-2, 1993 Ding Yi, Appearance of Crosses 89-6, 1989 Ding Yi, 1997, 1997 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Ding Yi, Appearance of Crosses 2007-11, 2007 Ding Yi, Appearance of Crosses 2009-10, 2009 Ding Yi, Appearance of Crosses 1995-16, 1995 Ding Yi, Appearance of Crosses 1997-18, 1997 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Ding Yi, Appearance of Crosses 2007-11, 2007 Courtesy of the artist & Groeninghe Foundation Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Ding Yi, Appearance of Crosses 2009-10, 2009 Ding Yi, Appearance of Crosses 95-16, 1995 Ding Yi, Appearance of Crosses 97-18, 1997 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Hans van Dijk, 3 drawings based on chance, thickness, module size, 1979 Photo: Cassander Eeftinck Schattenkerk Courtesy Van Dijk family
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Hans van Dijk, Screens, part of his furniture inspired by Ming Dynasty craftsmanship, ca. 1983-1984 Invitation to farewell party thrown by his friends before his departure for Nanjing, August 1986 Hans van Dijk, Polaroid photo of the making of his “Ming” tables, 1983-1984 Hans van Dijk, pen drawings – designs for screens and construction details, 1983-1984 Hans van Dijk, Polaroid photos of the construction of a screen, ca. 1983 Gustav Ecke, Chinese Domestic Furniture, 1944/1986 Hans van Dijk, Two wooden toys for toddlers, 1980 Hans van Dijk, Color scheme for his paintings for Sally East Gallery in London Hans van Dijk, 3 drawings based on chance, thickness, module size, 1979 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Daglicht, 1980-1982 Courtesy of Ernst Dinkla Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Xang Xingwei, Still No A-mark, 1998 Xang Xingwei, Recruit, 1998 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Xang Xingwei, Mein Kampf, Wang Xingwei in 1936, 1996 Courtesy of the artist & private collection Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Liu Ding, 1999, 2014 Cheng Shaoxiong, Street 4, 1998 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Cheng Shaoxiong, Street 1, 1998; Cheng Shaoxiong, Street 2, 1998; Cheng Shaoxiong, Street 3, 1998; Cheng Shaoxiong, Street 4, 1998 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Zheng Guogu, The chat of God of Millennium No. 19a, 2002 Zheng Guogu, The chat of God of Millennium No. 19b, 2002 Zheng Guogu, Computer Controlled by Pig’s Brain No.89, 2006 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Meng Huang, The Sea, 2014 Meng Huang, Paradise Lost 14, 1997 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Exhibition view Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Jin Feng (senior), Polish Courier; Wu Jianxin (Lao Mao), World Express Day; Ni Jun, Death Certificate; Song Tao, Untitled; Shi Qing, Medicine,; Yang Fudong, Gan He Bian (Alongside the river); Kan Xuan, Landscape; Huang Kui, I am Huang Kui Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Shao Yi, Position Measurement; Yang Zhenzhong, Background; Fan Mingzhu, Been and visited; Fei Dawei, A thread; Yu Li, Art renegade Yu Li; Zhou Xiaohu, Express delivery 4.3.2.1; Geng Jianyi, Look slowly; Hu Jieming, Ration coupon Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Tang Maohong, Harvest Card; Xu Tan, 15 one U.S. dollar bills; Davide Quadrio, God of Express; Xu Zhen, Untitled; Liu Wei, Digestive Capacity in Shanghai; Jin Jiangbo, I want to give you…; Jia Bu, Exchange name card; Be Zhenlong, My photos; Alexander Brandt, A grey guy’s crystal shoe Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Hu Jieming, Ration coupon Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Liu Ding, 1999, 2014 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Hans van Dijk, Lexicon and Library of 5000 artists active in China, born between 1880 and 1980 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Invitation to Documenta X, letters and envelopes, 1997; Hong Hao, Selected Scriptures, page 1, Preface, 1995; Hong Hao, Selected Scriptures, page 1862, The Division of Nuclear Arms, 1994; Hong Hao, Selected Scriptures, page 3065, The New World Order, 1995; Hong Hao, Selected Scriptures, page 2931, Worldly Tales, 1995; Hong Hao, Selected Scriptures, page 3535, New World Geomorphologic Map, 1996 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Poster image for Zhao Bandi’s exhibition Zhao Bandi: Moonflight, Beijing, 1994, depicting the artist wearing his work Object for flying, 1994. Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Hans van Dijk, Lexicon and Library of 5000 artists active in China, born between 1880 and 1980, 2002 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Photographs of the New Measurement (Xi Kedu) exhibitions and gatherings in Beijing: of their exhibition at Haus der Kunst, Berlin, 1994-1995; and of their presentation at Configura 2 in Erfurt, Germany, 1995 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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2 photographs of Untitled, 1993; Photograph from a visit in Li Yongbin’s apartment, 1993; Li Yongbin, Face (No 1), 1995-1996 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Hong Lei, Hans and I, 2014 Courtesy of the artist Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Luo Yongjin, Celebrities and Celebrations, 1992-1997 Courtesy of the artist Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Photographs on the wall: Zheng Guogu, The Vagarious Life of Yangjiang Youth, 1996 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Zheng Guogu, The Vagarious Life of Yangjiang Youth, 1996 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Han Lei, Kaifeng, 1986 Han Lei, Beijing, 1988 Han Lei, Kaifeng, 1986 Han Lei, Luochuan, 1989 Zhao Bandi, The Big Rumour Spreading Until Today, 1994 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Zhao Bandi, The Big Rumour Spreading Until Today, 1994 Zhang Hai’er, Wuhan Steel Plant, Wuhan, Hubei Province, No. 5, 1991 Zhang Hai’er, Wuhan Steel Plant, Wuhan, Hubei Province, No. 2, 1991 Zhang Hai’er, Canton, 1987 Zhang Hai’er, Pepsi in the Train from Canton to Shenzhen, 1993 Zhang Hai’er, Lin in Shanghai, 1989 Zhang Hai’er, Wuhan Steel Plant, Wuhan, Hubei Province, 1991 Zhang Hai’er, It begins to rain… Miaoqian Street, Guangzhou, China, 1987 Zhang Hai’er, Garden Hotel, Canton 1990, 1990 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Zhao Bandi, The Big Rumour Spreading Until Today, 1994 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Zhao Shaoruo, In the name of the Red Guard Youth, 1989/2005 Ni Haifeng, Untitled, 1988 Ni Haifeng, Warehouse No. 1, 1988 Ni Haifeng, Warehouse No. 10, 1988 Liu Ding, 1999, 2014 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Photographs and archival material of the Chinese Avant-Garde exhibition 1993; Zhao Shaoruo, In the Name of the Red Guard Youth (1989/2005), In the Name of the Cultural Revolution (1988/1991), In the Name of the Red Sun (1989/1993) Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Hans van Dijk, 2 “Ming style” stools Hans van Dijk, unique handmade Chinese table, mid ‘80 Hans van Dijk, unique handmade table, ca. 1984 Hans van Dijk, unique handmade table, early ‘80 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Ni Haifeng, The Angle, 1995 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Ni Haifeng, The Angle, 1995 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Zhang Peili, A Gust of Wind, 2008 Photo: Cassander Eeftinck Schattenkerk Installation photo, Witte de With Center for Contemporary Art, 2014
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Wang Xingwei, The Testimony of the Hare, 1995 Courtesy of Pascale Geulleaume
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Wang Xingwei, The Romantic Dust of the History of Male Heroism, 1996 Courtesy of Pascale Geulleaume