Faux Pas
Fahrenheit, Los Angeles

Eldon Dedini, Kent Merriman Jr., Christina Leung, Giles Round & Phil Sundling, John Wesley
July 18 – September 26, 2015
Organized by Shanaynay
Images courtesy of Fahrenheit, Los Angeles

Exhibition Images

This page contains 35 images and 0 videos documenting this exhibition. 0 images contain text descriptions.
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    Detail, Christina Leung, Current Arrangement, or How It Looks Divided Up Like This, 2015.
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    Giles Round, Ettore. Sorry!, 2015. Dibond poster. 100 x 80 cm. Courtesy of the artist.
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    Giles Round, OH Daffy. What’s Up?, 2015. Sand-casted glass bong, co-produced with Phil Sundling of Prism Glassworks, Troy, NY. Dimensions variable. Courtesy of the artist.
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    John Wesley, Bikini, 1979. Acrylic on canvas. 38 ½ x 33 x 2 ½ in. Courtesy of the artist; Fredericks and Freiser, New York; and David Kordansky Gallery, Los Angeles.
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    Christina Leung, 3 S Vanities (or Couches), 2015. Birch playwood, cable ties. 91 x 43 x .5 in. Courtesy of the artist.
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    John Wesley, Pianissimo, 2001. Acrylic on paper. 22.5 x 14 in. Courtesy of the artist; Fredericks and Freiser, New York; and David Kordansky Gallery, Los Angeles.
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    Left: Giles Round Sorry! Not Sorry!, 2014. Glazed stoneware. 235 x 245 x 85 mm. Right: To be titled, 2015. Glazed stoneware, lighting components, cork bung. 240 x 240 x 75 mm. Courtesy of the artist.
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    Giles Round, Sorry! Not Sorry!, 2014. Glazed stoneware. 235 x 245 x 85 mm. Courtesy of the artist.
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    Detail, To be titled, 2015. Glazed stoneware, lighting components, cork bung. 240 x 240 x 75 mm. Courtesy of the artist.
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    Christina Leung, Woman with a Mango, 2015. Birch plywood, cable ties, temporary tattoos. 90 x 8.5 x .5 inches; S Mirror, 2015. Birch plywood, cable ties, temporary tattoos. 90 x 48 x .5 in.; Fountain, 2015. Birch plywood, cable ties, temporary tattoos. 90 x 37 x .5 inches. Courtesy of the artist.
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    Detail, Christina Leung, Woman with a Mango, 2015. Birch plywood, cable ties, temporary tattoos. 90 x 8.5 x .5 inches. Courtesy of the artist.
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    Detail, Christina Leung, Current Arrangement, or How It Looks Divided Up Like This, 2015.
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    Detail, Christina Leung, S Vases, 2015. Birch plywood, cable ties, temporary tattoos. 90 x 39 x .5 in. Courtesy of the artist.
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    Detail, Christina Leung, Current Arrangement, or How It Looks Divided Up Like This, 2015.
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    Eldon Dedini, ‘We’ve had French. Let’s try Californian!’. Date unknown. Ink wash, textured paper. 28.5 x 49. 5 cm. Courtesy of The Ohio University Billy Ireland Cartoon Library & Museum.
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    Kent Merriman Jr., Hidden Temptation, Altruistic Lover, 2015. Acrylic, oil, plastic grommets, mannequin fragment, zipper, on canvas over panel. 42 x 56.5 in. Courtesy of the artist.
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    Detail, Kent Merriman Jr., Hidden Temptation, Altruistic Lover, 2015.
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    Detail, Kent Merriman Jr., Hidden Temptation, Altruistic Lover, 2015.
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    Eldon Dedini, ‘People read too much into everything.’, 1990. Ink wash, textured paper, 37 x 31 cm. Courtesy of The Ohio University Billy Ireland Cartoon Library & Museum.
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    Eldon Dedini, ‘Hollywood has never dared to deal with such an explosive subject! Except once in 1947, in ’56, and again in ’72.’, 1979. Ink wash, textured paper.. 32 x 43 cm. Courtesy of The Ohio University Billy Ireland Cartoon Library & Museum.
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    Eldon Dedini, While he was in Paris, Warren knew Picasso, Miro, Hemingway, Stravinksy, Cocteau, and Fitzgerald. Nothing ever came of it, 1993. Ink wash, textured paper. 33 x 36.5 cm. Courtesy of The Ohio University Billy Ireland Cartoon Library & Museum.
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    Eldon Dedini, ‘He said your Cassoulet Languedoc was breezy and lacked a depth of vision that could be only be the work of a charlatan–coupled with a completely hypocritical use of thyme. And I didn’t get a tip.’, 1980. Ink wash, textured paper. 43.5 x 35.5 cm. Courtesy of The Ohio University Billy Ireland Cartoon Library & Museum.
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    Christina Leung, Current Arrangement, or How It Looks Divided Up Like This, 2015. Plywood, cable ties, temporary tattoos. Dimensions variable. S Vases, 2015. 90 x 39 x .5 in. IK Carrot, 2015. 78.5 x 48 x .5 in. Courtesy of the artist.
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    Detail, Christina Leung, Current Arrangement, or How It Looks Divided Up Like This, 2015.
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    Detail, Christina Leung, Current Arrangement, or How It Looks Divided Up Like This, 2015.
  • Caption:
    Detail, Christina Leung, Current Arrangement, or How It Looks Divided Up Like This, 2015.
  • Caption:
    Detail, Christina Leung, Current Arrangement, or How It Looks Divided Up Like This, 2015.
  • Caption:
    Giles Round, Again. Sorry!, 2014. Glazed stoneware. 235 x 245 x 85 mm. Courtesy of the artist.