Artist: Jon Rafman
Venue: Zabludowicz Collection, London
Date: October 8 – December 20, 2015
Full gallery of videos, images, press release and link available after the jump.
Jon Rafman, Still Life (Betamale), 2013. HD video 4:54 mins.
Jon Rafman, Oh The Humanity!, 2015. HD video continuous loop.
Jon Rafman, Neon Parallel 1996, 2015. Digital video 10:57 mins.
Jon Rafman and Daniel Lopatin, Sticky Drama, 2015. HD video, 10:36 mins.
Jon Rafman, Mainsqueeze, 2014. HD video 7:18 mins.
Jon Rafman, A Man Digging, 2013. HD video 8:20 mins.
Images and videos courtesy of Zabludowicz Collection, London. Photos by Thierry Bal.
For his first major solo exhibition in the UK, Canadian artist Jon Rafman has transformed the spaces of the Zabludowicz Collection into a playful series of new installations that immerse visitors within his video and sculptural works. Emerging from his interest in the relationship between technology and human consciousness, Rafman’s works examine ideas of desire – its simulation and enactment.
In his latest work, commissioned for this exhibition, Sticky Drama, 2015, Rafman has worked in collaboration with Daniel Lopatin to create his rst fully live-action short movie featuring a cast of over 35 children, developed in London over the last three months. Co-produced by Warp Records and featuring music from the forthcoming album by Oneohtrix Point Never, the video brings to life a fantastical world in which characters are on a quest, battling for dominance and in a race against time to archive past histories. Inspired by the costumes, staging and extended improvised narratives of Live Action Role Play (LARP), the video re ects the vivid, often violent world of children’s imaginations and games, as well as extending Rafman’s ongoing investigation into the nature of memory and the horror of data loss.
Drawing on the simulated landscapes of computer games, Rafman has created a large-scale artificial hedge-maze populated with digitally manipulated sculptural busts from his New Age Demanded series and a new 8ft Manifold figure. The installation heightens the collapse in our distinctions between the real and the digital as visitors are invited to enter a virtual space using Oculus Rift technology. Transporting us from the maze, imaginary scenarios interchange with tangible experiences and dissolve our perceptions of place and time.
The exhibition also brings together recent video works which collage together images, text and footage drawn from video games, internet memes and virtual landscapes. These poetic new narratives critically engage with the aesthetics and subcultures of online communities. Visually compelling, funny and shocking, these videos are presented in new sculptural installations that reference spaces of play and spaces of contemplation, forcing the viewer to physically enter into these unsettling psychological realms.
A new monograph on Rafman’s work will accompany the show featuring texts by Kevin McGarry, Ana Teixeira Pinto and a conversation between the artist and Booker Prize shortlisted writer Tom McCarthy. There will also be an extensive programme of free public talks and live performances. The exhibition is curated by Maitreyi Maheshwari, and has been generously supported by Seventeen Gallery.