The Fourteenth Season of The Artist’s Institute with Madeline Hollander, Sean Raspet, Sam Lewitt
Artists: A. E. Benenson, Keller Easterling, Hans Haacke, Madeline Hollander, Sam Lewitt, Andreas Malm, Sean Raspet, Christoph Salzmann, Jing Wu, Shengping Zheng
Venue: The Artist’s Institute, New York
Exhibition Title: The Fourteenth Season of The Artist’s Institute with Madeline Hollander, Sean Raspet, Sam Lewitt
Date: February 13 – May 25, 2018
Curated by: Jenny Jaskey
Note: Additional texts and recordings are available here.
Full gallery of images, press release and link available after the jump.
Images:
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- Madeline Hollander at the Artist’s Institute
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- Madeline Hollander at the Artist’s Institute
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- Madeline Hollander at the Artist’s Institute
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- Madeline Hollander at the Artist’s Institute
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- Madeline Hollander at the Artist’s Institute
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- Madeline Hollander at the Artist’s Institute
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- Madeline Hollander at the Artist’s Institute
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- Madeline Hollander at the Artist’s Institute
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- Madeline Hollander at the Artist’s Institute
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- Madeline Hollander at the Artist’s Institute
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- Madeline Hollander at the Artist’s Institute
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- Sean Raspet and Christoph Salzmann, Water (Ice V Residue), 2017–18
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- Sean Raspet and Christoph Salzmann, Water (Ice V Residue), 2017–18
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- Keller Easterling on Medium Design
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- A. E. Benenson and Madeline Hollander in conversation
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- Hans Haacke at the Artist’s Institute
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- Hans Haacke at the Artist’s Institute
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- Hans Haacke at the Artist’s Institute
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- Hans Haacke, Condensation Cube, 1963–65
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- Hans Haacke, Condensation Cube, 1963–65
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- Hans Haacke, We (all) are the People, 2003–17/18, at Hunter College
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- Madeline Hollander at the Artist’s Institute
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- Madeline Hollander, Temperature Sequence #3: Triangle Duet, 2018
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- Madeline Hollander, Temperature Sequence #1: Quad (Beckett, Backwards, Crawl), 2018
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- Madeline Hollander, Temperature Sequence #4: Skater, 2018
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- Madeline Hollander, Temperature Sequence #5: Core Power, 2018
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- Sean Raspet at the Artist’s Institute
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- Sean Raspet with Jing Wu and Shengping Zheng, 5,5-dimethyl-2-[3-(2,6,6-trimethylcyclohex-2-en-1-yl)butyl]-1,3-dioxane, 2018
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- Sean Raspet with Jing Wu and Shengping Zheng, 2-[(2,6,6-trimethylcyclohex-1-en-1-yl)methyl]-1,3-dioxane, 2018
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- Sean Raspet with Jing Wu and Shengping Zheng, 2-(3,3-dimethylcyclohexyl)-2,5,5-trimethyl-1,3-dioxane,2018
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- Andreas Malm on why we should ditch new for historical materialism
Images courtesy of The Artist’s Institute, New York
Press Release:
This spring, the Artist’s Institute’s program brings us closer to the surprising, unstable, and powerful capacities of matter. In the physical sciences and economics, we sometimes call this kind of work energetics―the study of the way that energy flows through a system. For the art field, an emphasis on energetics reorients aesthetics to material expression, sometimes a material expression that exceeds that of the artist’s own imagination or will. Through artworks, talks, and other events this spring, the Institute’s fellows are engaging with energy as an animating force. Energy has the capacity to synthesize molecules. Energy heats up a room.
…make something which experiences, reacts to its environment, changes, is nonstable…
…make something indeterminate, which always looks different, the shape of which cannot be predicted precisely…
…make something which cannot “perform” without the assistance of its environment…
…make something which reacts to light and temperature changes, is subject to air currents and depends, in its functioning, on the forces of gravity…
…make something which the “spectator” handles, with which he plays and thus animates…
…make something which lives in time and makes the “spectator” experience time…
…articulate something Natural…
Hans Haacke, Cologne, January 1965
Link: The Fourteenth Season of The Artist’s Institute with Madeline Hollander, Sean Raspet, Sam Lewitt