May 19 – August 11, 2018
Images courtesy of the artists and Deborah Schamoni, Munich. Photos by Ulrich Gebert.

Exhibition Images

This page contains 25 images and 0 videos documenting this exhibition. 0 images contain text descriptions.
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    Kerstin Brätsch, Title TBC From ‘All Ready Maid Betwixt and Between’ series, 2018, lead, lustre and enamel and stencil black on baked antique glass, 94.9 x 63.8 cm
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    Kerstin Brätsch, Towards An Alphabet [Dino Runes] version B, 2018, digital print on Photo Tex, 286 x 100 cm (dimensions customizable)
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    Kerstin Brätsch, Unstable Talismanic Rendring_Schrättel (with gratitude to master marbler Dirk Lange), 2017, pigment, water color, ink and solvents on paper, ca. 275.6 x 182.9 cm
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    Tobias Spichtig, What's your title again? - And yes, I'm bad with names, too., 2016, textile, resin, adhesive, steel, 50 x 44 x 120 cm
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    Kerstin Brätsch, Towards An Alphabet [Dino Runes] version B, 2018, digital print on Photo Tex, 280 x 340 cm (dimensions customizable)
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    Monica Bonvicini
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    Tobias Spichtig, I don´t want to know why and I hope I never will, 2016, textile, resin, metal, 170 x 40 x 30 cm
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    Tobias Spichtig, heute auf der Post zwei Stunden angestanden., 2018, vinyl print, oil and laquer on canvas, 200 x 150 cm
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    Tobias Spichtig, Planet Erde, 2018, vinyl, print, oil and laquer on canvas, 195 x 145 cm
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    Tobias Spichtig, I paint what I want., 2018, vinyl, print, oil and laquer on canvas, 190 x 145 cm
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    Tobias Spichtig, Die Erde, 2018, vinyl print, oil and laquer on canvas, 180 x 140 cm
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    Installation view, Tobias Spichtig, Gott, 2018, oil and acrylic on canvas, 190 x 170 cm
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    Installation view, Tobias Spichtig, Heiner Müller, 2017, Monica Bonvicini, 7:30 hrs, 1999 - 2018
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    Monica Bonvicini, 7:30 hrs, 1999 – 2018, brickstones, grout
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    Tobias Spichtig, Heiner Müller, 2017, used car parts and fenders, plastic shell of MIDI keyboard, hosing and piping, metal, gas tank, 250 x 270 x 150 cm
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    Tobias Spichtig, What's your title again? - And yes, I'm bad with names, too., 2016, textile, resin, adhesive, steel, 50 x 44 x 120 cm
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    Tobias Spichtig, So eine schöne Geschichte und keiner weiss, wie sie geht., 2016, textile, resin, metal, 35 x 40 x 185
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    Monica Bonvicini, Untitled (Rolex), 2001, collage on paper, 85 x 120 x 5 cm (framed)
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    Monica Bonvicini, Corner Boy, 2015, leather belts, mirror, paint, wood, 220 x 72 x 72 cm
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    Monica Bonvicini, NeedleKnows, 2012, 8 embroideries on paper, 23,3 x 29,5 x 2,5 cm (each)