Artist: Etel Adnan
Venue: Sfeir-Semler, Beirut
Exhibition Title: The uprising of colors
Date: January 23 – June 4, 2020
Full gallery of images, press release and link available after the jump.
Images courtesy of Sfeir-Semler, Beirut
We are proud to announce the opening of ETEL ADNAN’s solo show in our Beirut space. Please join us to celebrate the artist on January 23rd, 2020 from 5PM to 8PM.
Etel Adnan wished this exhibition as a splash of hope amidst the current severe political and economic crisis Lebanon is witnessing. With this in mind, the gallery has produced the show against all odds, a gesture of cultural resilience that is meant to contribute, on our modest scale, to the sustainability of the arts sector in Beirut. The title of the exhibition, The uprising of colors, therefore refers to art’s capacity to bring colors into a grim quotidian.
Welcoming visitors in the entrance of the space, a wallpaper entitled “Le Soleil Toujours”, literally translated as “The Sun Always” depicts the shining star meant as a colorful sign of optimism. Similar to the process followed for her ceramic walls or billboards, the artist in this case has produced a drawing that was specifically meant to become a large-scale work. In the background, a reading of the Arab Apocalypse can be heard, as the original manuscript text scrolls on a screen: the iconic collection of poems first published in 1980 seems ever relevant, reflecting on Lebanon’s constant mutations and dislocation. While Etel Adnan’s writing often chronicles the harsh realities she witnesses, her visual work is always joyful, offering suspended moments of peace in a colorful universe.
The exhibition proposes an overview of Etel Adnan’s multidimensional practice: her small format paintings fill the space; and with simple lines and colors, her compositions flow naturally, painted in one sitting with a knife palette. The spontaneous act results in work that is never contrived, and that radiates joy. A series of leporellos bridges between her writings and her visual art work: they unfold, filled with words alternating with abstract colors and shapes.
The tapestries on show are recently produced, based on cartons from the 60s for some, and are handwoven in Aubusson in France. Tapestries are a medium of choice for Etel Adnan, ever since she discovered in the early 50s The Lady and the Unicorn, a series of six tapestries dating back to the 16th century. Later on, she visited the Wissa Wassef center in Harrania, Egypt and she was fascinated by the natural dying of the wool, and the representation of nature in those tapestries. She brings a traditional feminine activity into the contemporary realm, which allows her to play with the formats of her works.
Etel Adnan (b. 1925, Lebanon), lives and works in Paris. Adnan is widely recognized as one of the foremost authors, poets and playwrights of her generation. Widely known for her literary work, she fluidly moves between the disciplines of writing and art.
Her paintings rose to prominence following their exhibition at dOCUMENTA 13 (2012); and she has had solo exhibitions at Mudam, Luxemburg (2019), SFMoMA, San Francisco (2018), Zentrum Paul Klee, Switzerland (2018), the Institut du Monde Arabe, Paris (2016), UNAM, Mexico City (2017), Serpentine Sackler Gallery, London (2016), Haus Konstruktiv, Zurich (2015), Museum der Moderne Salzburg, Austria (2014), and Mathaf, Doha (2014). As well as group exhibitions at Castello di Rivoli, Italy (2017), MoMa, New York (2017), Sharjah Biennial 12 (2015), the 14th Istanbul Biennial (2015), the Whitney Museum of Modern Art (2014).
She has works in private collections as well as many public collections around the world such as MoMa, New York, Centre Pompidou, Paris, the San Francisco Museum of Modern Art, Kunstsammlung NRW, the Royal Jordanian Museum, LAM, Lille, Guggeneheim, Abu Dhabi, Mathaf, Qatar, the Sursock Museum in Beirut, the Institut du Monde Arabe in Paris, the British Museum in London, Kunsthaus Zurich, the National Museum for Women in the Arts, Washington D.C. Adnan also has tapestries in public spaces and private collections. Slides of her tapestries are in the permanent files of the Contemporary Crafts Museums of New York and Los Angeles.