Contemporary Art Daily

Dexter SinisterWork-in-Progress

June 20 – August 17, 2014
Venue website
View in Contemporary Art Library
Video and images courtesy of CAC Vilnius. Photos by Arnas Anskaitis.

Exhibition Images and Videos

This page contains 27 images and 4 videos documenting this exhibition. 0 images contain text descriptions. Videos may contain author and title information.
  • Caption:
    Raimundas Malašauskas, Photo Finish, 2011, hologram.
  • Caption:
    Dexter Sinister, poster for Letter & Spirit, 2014, silkscreen print. Dexter Sinister, Letter & Spirit, 2014, a program that runs a script, 16'06".
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    Kazimir Malevich, Sisters, 1910, oil on canvas. With thanks to Rūtenė Merkliopaitė and Perrine Bailleux. Bruno Munari, Tetracono, 1965, multiple. Each cone spins at a different speed, collectively transforming from green to red over 18 minutes. Private collection. Alighiero e Boetti, Contatore, 1967, multiple, edition of 123. Private collection. Giuseppe Penone, Progetto per Rovesciare i propri occhi (To reverse one’s eyes), 1970. Documentation of the action by the artist. Photo © Paolo Mussat Sartor. Courtesy Archivio Penone.
  • Caption:
    Kazimir Malevich, Sisters, 1910, oil on canvas. With thanks to Rūtenė Merkliopaitė and Perrine Bailleux.
  • Caption:
    Kazimir Malevich, Sisters, 1910, oil on canvas. With thanks to Rūtenė Merkliopaitė and Perrine Bailleux. Bruno Munari, Tetracono, 1965, multiple. Each cone spins at a different speed, collectively transforming from green to red over 18 minutes. Private collection. Alighiero e Boetti, Contatore, 1967, multiple, edition of 123. Private collection. Giuseppe Penone, Progetto per Rovesciare i propri occhi (To reverse one’s eyes), 1970. Documentation of the action by the artist. Photo © Paolo Mussat Sartor. Courtesy Archivio Penone.
  • Caption:
    Clock system diagram, Jespersen, J., and Fitz-Randolf, J., From Sundials to Atomic Clocks, 1977, silkscreen on wall. Muriel Cooper, Self-portrait with Polaroid SX-70, c.1982, video imaged and printed at the Visible Language Workshop, MIT. Courtesy of Mass. College of Art & Design. Stephen Willats, The World As It Is And The World As It Could Be, 2006, print on aluminium. Courtesy the artist and Victoria Miro, London. Kazys Varnelis, The Last Shot, 2007–2008, oil on canvas. Courtesy of National Museum of Lithuania.
  • Caption:
    Photograph from the reverse of the instructions inside Ryan Gander’s multiple, Parallel Cards, 2009 (a standard set of playing cards printed on both sides). Dexter Sinister, Naive Set Theory, 2009, proof print. Dexter Sinister, Watch Scan 1200 dpi, 2010, postcard. Dexter Sinister after Albrecht Dürer, Death and the Landsknecht, 1510, as reproduced on back cover of Bulletins of The Serving Library No.1 (2011).
  • Caption:
    Dexter Sinister, MTDBT2F glyph, 2011, composite Risograph print of letters from the typeface Meta-The- Difference -Between -The -Two -Font. Raimundas Malašauskas, Photo Finish, 2011, hologram. Dexter Sinister and Erik Wysocan, Watch Wyoscan 0.5 Hz, 2013, reverse-engineered Casio digital watch by Halmos. 16. Dexter Sinister, advertisement for Watch Wyoscan 0.5 Hz, 2013, digital print. Photograph by Jason Fulford.
  • Caption:
    Microchip used to re-program scoreboards at Palasport, Venice, Dexter Sinister’s contribution to ‘oO/Oo’, the Cypriot-Lithuanian pavilion at the 2013 Venice Biennial. Dexter Sinister, Work-in-Progress, 2013. Installation shot at Palasport, Venice, by Robertas Narkus. Dexter Sinister, Poster for an Infinite Solstice Event, 2013, 35mm slide, light. True Mirror, made by True Mirror Co., 2014.
  • Dexter Sinister, documentation of Work-in-Progress, 2014, a pair of LED clocks programmed to tell the time identical to scoreboards adjusted at Palasport, Venice, one year ago.
  • Dexter Sinister, documentation of Work-in-Progress, 2014, a pair of LED clocks programmed to tell the time identical to scoreboards adjusted at Palasport, Venice, one year ago.
  • Dexter Sinister, documentation of Work-in-Progress, 2014, a pair of LED clocks programmed to tell the time identical to scoreboards adjusted at Palasport, Venice, one year ago.
  • Dexter Sinister, documentation of Work-in-Progress, 2014, a pair of LED clocks programmed to tell the time identical to scoreboards adjusted at Palasport, Venice, one year ago.