Support

Layr, Vienna

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: James Welling, Untitled No. 45, 1984 (printed 1986), gelatin silver print and frame, 42.5 x 52.5 x 3 cm (16 ¾ x 20 5/8 x 1 ¼ inches); Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches); Rémy Zaugg, UND WÜRDE MIR, SOBALD ICH DENKE, DIE WELT ENTFREMDET., 1997 (AND AS SOON AS I THINK, THE WORLD WAS REMOVED FROM ME.), lacquer and silkscreen on aluminum, 223 x 199 x 3 cm (87 ¾ x 78 ⅜ x 1 ⅛ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: James Welling, Untitled No. 45, 1984 (printed 1986), gelatin silver print and frame, 42.5 x 52.5 x 3 cm (16 ¾ x 20 5/8 x 1 ¼ inches); Lisa Danielle DeAbreu, Forgotten & Foreseen, 2024, found wrought iron garden gates, cotton thread and thrifted dollies, dimensions vary with installation - approximately 129.5 x 365.7 x 116.8 cm (51 x 144 x 46 inches); Stephen Parrino, Freudin Flop, 1987, lacquer on cotton, 180 x 120 cm (70 ¾ x 47 ¼ inches); Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Lisa Danielle DeAbreu, Forgotten & Foreseen, 2024, found wrought iron garden gates, cotton thread and thrifted dollies, dimensions vary with installation, approximately 129.5 x 365.7 x 116.8 cm (51 x 144 x 46 inches); Hirsch Perlman, Accidence (5),1989, b/w print mounted to Plexiglas, MDF frame, 93.9 x 66 x 4 cm (37 x 26 x 1 ½ inches), Stephen Parrino, Freudin Flop, 1987, lacquer on cotton, 180 x 120 cm (70 ¾ x 47 ¼ inches); Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Hirsch Perlman, Accidence (5),1989, b/w print mounted to Plexiglas, MDF frame, 93.9 x 66 x 4 cm (37 x 26 x 1 ½ inches), Stephen Parrino, Freudin Flop, 1987, lacquer on cotton, 180 x 120 cm (70 ¾ x 47 ¼ inches); Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, Hirsch Perlman, Accidence (5),1989, b/w print mounted to Plexiglas, MDF frame, 93.9 x 66 x 4 cm (37 x 26 x 1 ½ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Hirsch Perlman, Accidence (5),1989, b/w print mounted to Plexiglas, MDF frame, 93.9 x 66 x 4 cm (37 x 26 x 1 ½ inches), Stephen Parrino, Freudin Flop, 1987, lacquer on cotton, 180 x 120 cm (70 ¾ x 47 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Hirsch Perlman, Accidence (5),1989, b/w print mounted to Plexiglas, MDF frame, 93.9 x 66 x 4 cm (37 x 26 x 1 ½ inches), Stephen Parrino, Freudin Flop, 1987, lacquer on cotton, 180 x 120 cm (70 ¾ x 47 ¼ inches), Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches); Lisa Danielle DeAbreu, Forgotten & Foreseen, 2024, found wrought iron garden gates, cotton thread and thrifted dollies, dimensions vary with installation, approximately 129.5 x 365.7 x 116.8 cm (51 x 144 x 46 inches); Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Lisa Danielle DeAbreu, Forgotten & Foreseen, 2024, found wrought iron garden gates, cotton thread and thrifted dollies, dimensions vary with installation, approximately 129.5 x 365.7 x 116.8 cm (51 x 144 x 46 inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Lisa Danielle DeAbreu, Forgotten & Foreseen, 2024, found wrought iron garden gates, cotton thread and thrifted dollies, dimensions vary with installation, approximately 129.5 x 365.7 x 116.8 cm (51 x 144 x 46 inches); Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches); Lisa Danielle DeAbreu, Forgotten & Foreseen, 2024, found wrought iron garden gates, cotton thread and thrifted dollies, dimensions vary with installation, approximately 129.5 x 365.7 x 116.8 cm (51 x 144 x 46 inches); Jeanne Dunning, On a Platter, 1999, Cibachrome mounted to Plexiglas, frame, 129.5 x 81.9 cm (51 x 32 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches); Lisa Danielle DeAbreu, Forgotten & Foreseen, 2024, found wrought iron garden gates, cotton thread and thrifted dollies, dimensions vary with installation, approximately 129.5 x 365.7 x 116.8 cm (51 x 144 x 46 inches); Jeanne Dunning, On a Platter, 1999, Cibachrome mounted to Plexiglas, frame, 129.5 x 81.9 cm (51 x 32 ¼ inches); Pope.L, “Tar Babies”, 2005, Mixed media (twice dipped bunny, item from The Black Factory), dimensions vary with installation, approximately 25.4 x 12.7 x 8.2 cm (10 x 5 x 3 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, detail: Lisa Danielle DeAbreu, Forgotten & Foreseen, 2024, found wrought iron garden gates, cotton thread and thrifted dollies, dimensions vary with installation, approximately 129.5 x 365.7 x 116.8 cm (51 x 144 x 46 inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, detail: Lisa Danielle DeAbreu, Forgotten & Foreseen, 2024, found wrought iron garden gates, cotton thread and thrifted dollies, dimensions vary with installation, approximately 129.5 x 365.7 x 116.8 cm (51 x 144 x 46 inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Jeanne Dunning, On a Platter, 1999, Cibachrome mounted to Plexiglas, frame, 129.5 x 81.9 cm (51 x 32 ¼ inches); Pope.L, “Tar Babies”, 2005, Mixed media (twice dipped bunny, item from The Black Factory), dimensions vary with installation, approximately 25.4 x 12.7 x 8.2 cm (10 x 5 x 3 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, Jeanne Dunning, On a Platter, 1999, Cibachrome mounted to Plexiglas, frame, 129.5 x 81.9 cm (51 x 32 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, Pope.L, “Tar Babies”, 2005, mixed media (twice dipped bunny, item from The Black Factory),dimensions vary with installation, approximately 25.4 x 12.7 x 8.2 cm (10 x 5 x 3 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches); Jeanne Dunning, On a Platter, 1999, Cibachrome mounted to Plexiglas, frame, 129.5 x 81.9 cm (51 x 32 ¼ inches); Lisa Danielle DeAbreu, Forgotten & Foreseen, 2024, found wrought iron garden gates, cotton thread and thrifted dollies, dimensions vary with installation, approximately 129.5 x 365.7 x 116.8 cm (51 x 144 x 46 inches); Pope.L, “Tar Babies”, 2005 -2006, mixed media (twice dipped bunny, item from The Black Factory), dimensions vary with installation, approximately 25.4 x 12.7 x 8.2 cm (10 x 5 x 3 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: James Welling, Untitled No. 45, 1984 (printed 1986), gelatin silver print and frame, 42.5 x 52.5 x 3 cm (16 ¾ x 20 5/8 x 1 ¼ inches); Lisa Danielle DeAbreu, Forgotten & Foreseen, 2024, found wrought iron garden gates, cotton thread and thrifted dollies, dimensions vary with installation - approximately 129.5 x 365.7 x 116.8 cm (51 x 144 x 46 inches); Stephen Parrino, Freudin Flop, 1987, lacquer on cotton, 180 x 120 cm (70 ¾ x 47 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, James Welling, Untitled No. 45, 1984 (printed 1986), gelatin silver print and frame, 42.5 x 52.5 x 3 cm (16 ¾ x 20 5/8 x 1 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: James Welling, Untitled No. 45, 1984 (printed 1986), gelatin silver print and frame, 42.5 x 52.5 x 3 cm (16 ¾ x 20 5/8 x 1 ¼ inches); Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches); Pope.L, “Tar Babies”, 2005, mixed media (twice dipped bear, item from The Black Factory), dimensions vary with installation, approximately 29.2 x 12 x 8.2 cm (11 ½ x 4 ¾ x 3 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Wilhelm Schürmann, Martin Kippenberger, Galerie Hetzler, Köln, 1983, 2024, digital print on paper, 59 x 31.3 cm ( 23 ¼ x 12 ⅜ inches); Lisa Danielle DeAbreu, Birth of Venus Baywatch Baby, 2023, oil paint and acrylic medium on thrifted cotton bedskirt, 228.6 x 182.8 x 10 cm (90 x 72 x 4 inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Wilhelm Schürmann, Martin Kippenberger, Galerie Hetzler, Köln, 1983, 2024, digital print on paper, 59 x 31.3 cm ( 23 ¼ x 12 ⅜ inches); Lisa Danielle DeAbreu, Birth of Venus Baywatch Baby, 2023, oil paint and acrylic medium on thrifted cotton bedskirt, 228.6 x 182.8 x 10 cm (90 x 72 x 4 inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Wilhelm Schürmann, Martin Kippenberger, Galerie Hetzler, Köln, 1983, 2024, digital print on paper, 59 x 31.3 cm ( 23 ¼ x 12 ⅜ inches); Lisa Danielle DeAbreu, Birth of Venus Baywatch Baby, 2023, oil paint and acrylic medium on thrifted cotton bedskirt, 228.6 x 182.8 x 10 cm (90 x 72 x 4 inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Wilhelm Schürmann, Martin Kippenberger, Galerie Hetzler, Köln, 1983, 2024, digital print on paper, 59 x 31.3 cm ( 23 ¼ x 12 ⅜ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Lisa Danielle DeAbreu, Birth of Venus Baywatch Baby, 2023, oil paint and acrylic medium on thrifted cotton bedskirt, 228.6 x 182.8 x 10 cm (90 x 72 x 4 inches); James Welling, Untitled No. 45, 1984 (printed 1986), gelatin silver print and frame, 42.5 x 52.5 x 3 cm (16 ¾ x 20 5/8 x 1 ¼ inches); Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches); Jeanne Dunning, The Toe Sucking Video, 1994, video, monitor, dimensions vary with installation; Puppies Puppies (Jade Guanaro Kuriki-Olivo), Dave Despicable Me, Minion Costume (commercially available), 2015, approximately 182.8 x 91.4 cm (72 x 36 inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches); Rémy Zaugg, UND WÜRDE MIR, SOBALD ICH DENKE, DIE WELT ENTFREMDET., 1997, (AND AS SOON AS I THINK, THE WORLD WAS REMOVED FROM ME.), lacquer and silkscreen on aluminum, 223 x 199 x 3 cm (87 ¾ x 78 ⅜ x 1 ⅛ inches); Pope.L, “Tar Babies”, 2005, mixed media (twice dipped bear, item from The Black Factory), 29.2 x 12 x 8.2 cm (11 ½ x 4 ¾ x 3 ¼ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Puppies Puppies (Jade Guanaro Kuriki-Olivo), Dave Despicable Me, Minion Costume (commercially available), 2015, approximately 182.8 x 91.4 cm (72 x 36 inches); Puppies Puppies (Jade Guanaro Kuriki-Olivo), performance: Despicable Me, 2015, What Pipeline, Detroit, MI, Courtesy the artist and What Pipeline, Detroit, Photo: Alivia Zivich; Rémy Zaugg, UND WÜRDE MIR, SOBALD ICH DENKE, DIE WELT ENTFREMDET., 1997, (AND AS SOON AS I THINK, THE WORLD WAS REMOVED FROM ME.), lacquer and silkscreen on aluminum, 223 x 199 x 3 cm (87 ¾ x 78 ⅜ x 1 ⅛ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Puppies Puppies (Jade Guanaro Kuriki-Olivo), Dave Despicable Me, Minion Costume (commercially available), 2015, approximately 182.8 x 91.4 cm (72 x 36 inches); Puppies Puppies (Jade Guanaro Kuriki-Olivo), performance: Despicable Me, 2015, What Pipeline, Detroit, MI, Courtesy the artist and What Pipeline, Detroit, Photo: Alivia Zivich, Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Puppies Puppies (Jade Guanaro Kuriki-Olivo), Dave Despicable Me, Minion Costume (commercially available), 2015, approximately 182.8 x 91.4 cm (72 x 36 inches); Puppies Puppies (Jade Guanaro Kuriki-Olivo), performance: Despicable Me, 2015, What Pipeline, Detroit, MI, Courtesy the artist and What Pipeline, Detroit, Photo: Alivia Zivich, Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Pope.L, “Tar Babies”, 2005, mixed media (twice dipped bear, item from The Black Factory), 29.2 x 12 x 8.2 cm (11 ½ x 4 ¾ x 3 ¼ inches); Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches); Jeanne Dunning, The Toe Sucking Video, 1994, video, monitor, dimensions vary with installation; Puppies Puppies (Jade Guanaro Kuriki-Olivo), Dave Despicable Me, Minion Costume (commercially available), 2015, approximately 182.8 x 91.4 cm (72 x 36 inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches); Jeanne Dunning, The Toe Sucking Video, 1994, video, monitor, dimensions vary with installation. Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, Jeanne Dunning, The Toe Sucking Video, 1994, video, monitor, dimensions vary with installation, Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Puppies Puppies (Jade Guanaro Kuriki-Olivo), Dave Despicable Me, Minion Costume (commercially available), 2015, approximately 182.8 x 91.4 cm (72 x 36 inches); Rémy Zaugg, UND WÜRDE MIR, SOBALD ICH DENKE, DIE WELT ENTFREMDET., 1997, (AND AS SOON AS I THINK, THE WORLD WAS REMOVED FROM ME.), lacquer and silkscreen on aluminum, 223 x 199 x 3 cm (87 ¾ x 78 ⅜ x 1 ⅛ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, Rémy Zaugg, UND WÜRDE MIR, SOBALD ICH DENKE, DIE WELT ENTFREMDET., 1997, (AND AS SOON AS I THINK, THE WORLD WAS REMOVED FROM ME.), lacquer and silkscreen on aluminum, 223 x 199 x 3 cm (87 ¾ x 78 ⅜ x 1 ⅛ inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Pope.L, “Tar Babies”, 2005, mixed media (twice dipped bear, item from The Black Factory), 29.2 x 12 x 8.2 cm (11 ½ x 4 ¾ x 3 ¼ inches); Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches); Jeanne Dunning, The Toe Sucking Video, 1994, video, monitor, dimensions vary with installation. Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, left to right: Pope.L, “Tar Babies”, 2005, mixed media (twice dipped bear, item from The Black Factory), 29.2 x 12 x 8.2 cm (11 ½ x 4 ¾ x 3 ¼ inches); Heimo Zobernig, ohne Titel, 1992, 2024, wood, pressboard, dispersion,186 x 1870 x 10 cm (73 ¼ x 736 ¼ inches); Jeanne Dunning, The Toe Sucking Video, 1994, video, monitor, dimensions vary with installation; Puppies Puppies (Jade Guanaro Kuriki-Olivo), Dave Despicable Me, Minion Costume (commercially available), 2015, approximately 182.8 x 91.4 cm (72 x 36 inches), Photo: Paul Levack

Exhibition view, Support, Curated By, Gaylen Gerber, Layr, Vienna, 2024, Pope.L, “Tar Babies,” 2005, mixed media (twice dipped bear, item from The Black Factory), 29.2 x 12 x 8.2 cm (11 ½ x 4 ¾ x 3 ¼ inches), Photo: Paul Levack