Nairy Baghramian

December 14th, 2019

Art Basel Miami Beach 2019

Haegue Yang at kurimanzutto Image courtesy of the artist and kurimanzutto, Mexico City

Our selections from ** Miami Beach 2019 can be viewed as a slideshow including individual works and booths from throughout the fair or by using the links to documentation of full booths below.

Kenneth Bergfeld at Project Native Informant

Mernet Larsen at James Cohan

Emilio Cruz at Corbett vs. Dempsey

Beverly Pepper at Kayne Griffin Corcoran

Ross Blackener, Cosima von Bonin, Charline von Heyl, Heimo Zobernig, Sean Landers, Seth Price at Petzel

Liz Deschenes, Pamela Rosenkranz, Sam Lewitt at Miguel Abreu

Woody De Othello at Mridians Section, Jessica Silverman

Hannah van Bart at Boesky

Torkwase Dyson at Rhona Hoffman

Haegue Yang at Greene Naftali

Judith Hopf at Metro Pictures

Polly Apfelbaum, Alice Attie, Herbert Brandl, Michal Bundy, Helmut Federale, Katharina Grosse, Imi Knoebel, Daniel Knorr, Caitlin Lonegan, Jessica Stockholder, Christopher Wool at Galerie nächst St. Stephan Rosemarie Schwarzwälder

Zenzaburo Kojima at Taka Ishii

Astrid Svangren at Christian Andersen

Sarah Rapson, Carolyn Lazard, Adrian Morris at Essex Street

Neïl Beloufa at François Ghebaly

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January 30th, 2018

Nairy Baghramian at Walker Art Center

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Artist: Nairy Baghramian

Venue: Walker Art Center, Minneapolis

Exhibition Title: Déformation Professionelle

Curated by: Vincenzo de Bellis with Victoria Sung

Date: September 7, 2017 – February 4, 2018

Click here to view slideshow

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ex2017nb_ins Visual Arts, Exhibitions, installation views. Nairy Baghramian: Déformation Professionnelle, September 7, 2017 through February 4, 2018, Galleries 4, 5, 6. Photo by Gene Pittman for Walker Art Center, Minneapolis. The exhibition was organized by curators Vincenzo de Bellis with Victoria Sung at the Walker; at S.M.A.K., the exhibition was organized by curator Martin Germann. Déformation Professionnelle offers a new approach to the artist survey, an exhibition format that follows the development of an artist’s career over a period of time. Here, Baghramian has replaced the original invitation to do a retrospective and presents entirely new sculptures that reflect upon and alter her previous bodies of work from 1999 to 2016. Some pieces incorporate rejected ideas or materials, while others explore variations in form. Baghramian is, as she says, “surveying the survey,” pushing the sculptor’s task into new territory with her ever-evolving practice. The exhibition takes its name from a French phrase often translated as “professional distortion” or “job conditioning,” referring to ways that a person’s worldview can be altered by their chosen vocation. The artist uses the exhibition as an opportunity to take apart her own profession and lay bare the sculptor’s method. In fact, the word “deformation” can also be applied to form, pointing to basic actions such as shaping, modeling, or casting. Through her playful yet critical take on the artist survey, Baghramian unpacks and interrogates the conceptual, physical, and social aspects of sculpture-making today.

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Full gallery of images, press release and link available after the jump.

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